Memories: Martin Atkins reflects on his five years with Public Image Ltd.
From 1979 through 1985, Martin Atkins was on the road playing drums with Public Image Ltd., John Lydon’s post-Sex Pistols, post-punk...
Kick in the Eye: David J on the visual art of Bauhaus and Love and Rockets
Undead. Undead. Undead. A refrain that would launch a new genre. Formed around David J. Haskin's plunging, dub-inspired bass line, Peter...
I Work in Chaos: The Art of Lou Beach
If he’s most often described as a collage artist, it’s perhaps because Lou Beach, over the course of a long and productive career, has...
Daniel Corrigan on his work with The Replacements, Soul Asylum, Hüsker Dü and Babes in Toyland
The Replacement’s Let It Be. I try to recall one close friend during my teenage years who didn’t own a copy. Often the record was sitting...
Ideal World: James Marsh's work with Talk Talk
The illustrator talks composition, meaning, and the Spirit of Talk Talk.
Elliot Gilbert on his work with The Cars, Tom Waits, Van Halen and The Motels
When I started planning interviews for Cover Our Tracks, the first image that came to mind was the face that appeared on The Cars' 1978...
